Some oddballs get a buzz deploying stuff intended for Job A on ‘Mission X’. To them, the common man’s planetary gear is a can-opener, coat-hook or toast-slice-holder. In their homes lamps are recycled teapots, whisky jars and welded-together-cutlery. Their toilet-roll holders are made of copper plumbing. The concept of shooting with a Sony-mount lens on …
Nikon 28-80mm v Nikon 28-85mm v Nikon 28-105mm v Nikon 35-70mm With photographers abandoning bijou mirrorless systems for full frame SLRs, May 2020 feels like a great time to review the walkabout lenses of another century. Bored by the low-hanging fruit of optically faultless 24-120mm kit lenses, today’s image-makers crave the creativity-testing limits of zooms …
Le Roi est Mort! Yes, Roy is dead. For many years the Nikon 14-24mm f2.8 reigned over wide angles. For some months after its launch, the review we wrote back in 2007 was attached to the wall in Nikon’s R&D HQ in which we demonstrated its superiority over the erstwhile wide champion, the Zeiss 21mm …
What can I compare you to? Shall I compare thee to a Samyang 14mm? Thou art more panoramic and more divergent. Shall I compare thee to a fishes eye? Thou art commensurately wide, yet in fashion rectilinear. Like a woman dressed as a man in a forest, I find myself musing “Can one desire too …
Metabones Ultra v Viltrox II Metabones did it first, but so did Xerox (with Windows) and look how that turned out. Is the superficially identical, significantly cheaper Viltrox Speedbooster a democratically-priced refinement, or a second rate rip-off? For many, the pricetag is the most important stat. A Nikon user perusing eBay faces the persuasive maths …
There comes a ghastly moment when you first, tentatively, speak aloud a difficult (perhaps foreign) word – one you’ve rarely (perhaps inconsistently) heard pronounced. Reading in peace, the word sounded unhesitatingly in your mind, but this trip hazard is inevitably destined for public utterance: one day you will be called on to get your shibboleth …
Panasonic 7-14mm Panasonic 8-18mm Olympus 7-14mm Laowa 7.5mm Acuity: 86.5%Bokeh: 45%Geometry: 60%Light Handling: XShot-Grabbing: 45%Light-Gathering: 20%Overall: 69.3% Acuity: 72.4%Bokeh: 60%Geometry: 72.9%Light Handling: XShot-Grabbing: 45%Light-Gathering: 40%Overall: 67.5% Acuity: 72.4%Bokeh: 60%Geometry: 72.9%Light Handling: XShot-Grabbing: 45%Light-Gathering: 40%Overall: 67.5% Acuity: 65.2%Bokeh: 55%Geometry: 75%Light Handling: X%Shot-Grabbing: 0%Light-Gathering: 60%Overall: 63.2% At 7mm, the Panasonic 7-14mm f4 is …
I was nagged by five questions: some may have pestered you too: 1: What does a Speedbooster do? Not the obvious gains – 30% more FoV and a stop of light – but what’s the hidden penalty? What degree the degradation? Or are Speedboosters win-win? Do they really improve results for smaller sensors? 2. Is …
The 2020 Coronavirus outbreak prompted much pondering on the nature of things. However Micro Four-Thirds (henceforth M43) has always attracted peculiarly fecund speculation about its nature and niche in the photographic ecosystem. What is it? Why is it here? And what does its future hold? As a religion, the primary doctrine of M43 is portability. …
There are several web pages and YouTube videos extolling the advantages of using Photoshop’s LAB mode for colour correction, but the following are a couple of tweaks that could be incorporated in every photographer’s workflow, and are suitable for almost every image. LAB level and curve adjustments are the best way to make colour alterations, …